Preservation Grants

Announcing Hurricane Helene Recovery Preservation Grant Awardees

Thanks to our Board of Directors, the Community Foundation of Western North Carolina, and many generous private donations, we have been able to award $150,000 in Preservation Grants to historic structures in Buncombe County that suffered significant damages from Hurricane Helene.

Awardees are listed roughly in order of their approval date. Some homeowners have chosen not to be identified by name, but have allowed us to share their experiences.

Gardener’s Cottage – Biltmore Village, 34 All Souls Crescent, c.1925

• The Gardener’s Cottage is a contributing structure in the Biltmore Village local historic district. Formerly the home of Charlie “Choo Choo” Justice (famous Asheville football player), this building is “one of only three c.1920s structures left which complied with Edith Vanderbilt’s deed restrictions from her sale of the village.”
• Per the owner’s grant application: “the structure is one of three historic properties moved and saved from demolition in the 1980s. It is an important asset to the cultural tourism created along Highway 25 (previously All Souls Crescent). The Gardener’s Cottage has occupied this building for more than 20 years and has a loyal following in Asheville and Biltmore Forest.”

Asheville Cotton Mill – River Arts District, 122 Riverside Drive, c.1900

• According to property owner Jannette Montenegro, “the historical significance alone of the structure is important. The Cotton Mill is a survivor. She survived the 1916 flood, the 1995 fires and now the 2024 flood.”
• She continues: “To the River Arts District and the community, this space was home. Local musicians played live 6 nights a week at the Asheville Guitar Bar, photographers have made use of the lighting and brick walls for many a portrait session and photography and video shoots. Artists show their work and allow community members and tourists to watch them making their art. The AVLArts arts trolley had a permanent stop here. To members of the Latinx community Guajiro and El Patio was a bit of home. Customers would flock daily for the Cuban Coffee shots at Guajiro and local salsa and tango clubs would host dance events there. El Patio was also home to the newly formed Asheville Social Club. The Cotton Mill also served as an information stop about the history of the district. We had informational panels outside in our garden and large pictures of the history of the building inside to teach visitors the history of the space. This space is home to many community members but also a hub for economic development and growth for the River Arts District and The City of Asheville.”

Reynolds Mansion – Woodfin, 1847

• Reynolds Mansion has been an easement property of PSABC since 2008. According to owner Paul Manshon, “it is one of the oldest properties in the area, was built in 1847 and the original structure is brick and mortar. It was also the home of Senator Robert Rice Reynolds, with ownership having passed down from his grandfather, Col. Daniel Reynolds, to his father William Taswell Reynolds and then to William Taswell’s younger brother, Nathaniel Augustus Reynolds.”
• Paul stresses that “this property is important to us and we believe it has significant historical value and importance to Asheville and Buncombe County in general. Due to its age and prior neglect over the course of its lifetime, there is always a long list of maintenance items that are expensive and cost prohibitive to attempt all at once.”

The Corner Kitchen – Biltmore Village, 3 Boston Way, c.1895

• Operating as a restaurant since 2004, the Corner Kitchen is a contributing structure to the Biltmore Village Cottage National Register Historic District and the local historic district.
• Owner Joe Scully says that rehabilitating the historic structure will require a “complete rebuild, possible lifting of the building, replace[ment] of all equipment and refrigeration. The timeline is TBD as we are currently drying the building…We anticipate completion in about 6+ months.”

The Bull & Beggar – River Arts District, 37 Payne’s Way, c.1915

• The Bull & Beggar fine dining restaurant in the River Arts District took on three feet of water during the storm. According to owner Drew Wallace, “We’ve already begun remediation to be done by Premier Remediation Co. contracted by Falcon Development (currently in progress), and the subsequent restoration to be completed by Dröm Construction. Construction is slated to begin next week and materials include: wood, tile, drywall, and FRP.”
• Wallace emphasizes that the Wedge Studios building they are located in “has a rich history– it houses the original art studios of the River Arts District, as well as the first brewery in the neighborhood.”

Southern Highland Craft Guild – Biltmore Village, 26 Lodge Street, c.1929

• The structure is listed on the National Register of Historic Places. The Southern Highland Craft Gallery that was located in the building supports 800 craft artisans, primarily from WNC.
• According to the Craft Guild, “funds applied toward the cost of boarding up the building for security, mucking out the mud, pumping out the water from the basement, pressure washing anything the 16 feet of water came in touch with, and finally air drying-out the building. Significant damage also occurred to the windows.”

Private Residence – West Asheville, c.1930 

• This home was directly in the flooding of Hominy Creek, a tributary of the French Broad River. Homeowner Kara Warren reports that the “entire basement was full of rushing water at least 4 feet over the floor. Many items were swept away in the water. Everything else is covered in a layer of hazardous river sludge.”

Private Residence – Swannanoa, c.1961 

• Homeowner Bill Wescott describes how his “two younger ones are staying with family for the most part while we work on our 1960’s home after it was damaged from the Helene flood. I am the owner of this property. We have received some assistance from FEMA and a small amount from insurance. I will be taking on much of the repairs on my own with the assistance from the community and volunteers.”
• Following the flood, the cleanup crew “cut into the drywall roughly 4 feet and had to remove all flooring.” Wescott says, “I will need to hire an HVAC contractor to replace my mini split condenser, a plumber for my water heater and likely more, and an electrician. I hope that my electrical will be okay because it is fairly new however since some outlets were underwater I may need to rewire. Any funds would be greatly appreciated.”

Bette Boutique – Biltmore Village, 2 All Souls Crescent, c.1895

• A Richard Sharp Smith design, this building is a contributing structure to the Biltmore Village Cottage National Register Historic District and the local historic district. Owner Tara Hackett says: “We had our letter certifying that the structure was sound and have already forwarded that to the HRC, so that we don’t encounter any delays from that standpoint. We have also met with Michael Logan because it is also our intent to preserve the original windows and doors by having them removed, dried out and stored off property until they are ready to be placed. That is just an example of our intent with regard to restoration.”
• When asked of the building’s significance to the community, Hackett emphasizes, “our cottage is a gem that sits on one of the most predominant corners in the village. We set the tone for everyone coming in to eat at the Corner Kitchen, to grab coffee at one of the shops or to visit another small locally owned boutique. The structure is important, but the little collective of women and women-owned businesses that Bette supports is a very large part of why this rebuild is so important.”

Private Residence – Swannanoa, c.1960 

• According to homeowner Matt Miller, “this is a huge project to restore the home to comfortable living conditions. It’s basically down to the studs drying out any moisture we can. We have both been out of work since the storm due to loss of vehicles and the need to be at the house performing demolition, so any help would be appreciated.”

Riverview Station – River Arts District, 191 Lyman Street, c.1902

• Owners Helaine Greene and Trudy Gould feel that “Riverview Station is the heart of the River Arts District. [We] bought the building in 1996 and have been instrumental in growing and nurturing the River Arts District. Our building has been home to countless artists over the past 28 years. Prior to the flood, it was home to more than 70 galleries, studios and small businesses and featured the work of more than 200 working artists. Our tagline is ‘Where Creativity Meets Community.’ Our close-knit community of artists was treasured by everyone who was a part of it.”
• Per the Riverview Station website: “Our building was constructed in 1902 and originally housed the Hans Rees Tannery, which produced leather belts for industry and factories. One of the largest tanneries in the country at the time, its operation comprised both our lot and an additional property that reached east to the rail yard.”

Casablanca Cigar Lounge – Biltmore Village, 18 Lodge Street, c.1931

• The building that now holds Casablanca Cigar Bar used to be the beloved Hot Shot Café, a true gem for Asheville locals. Owners Brooke and Sam Souhail note that “since we opened our doors in 2017, Casablanca has blossomed into a community gathering spot, where friendships flourish and memories are made. With a dedicated team of 12 amazing people, we’ve poured our hearts into this place.”
• Brooke reflects: “Facing this heartbreaking setback feels overwhelming, especially when we think about the dream we’ve built together….Our journey has been a mix of joy and struggle. We’ve built our lives and businesses side by side, and while our resilience has been tested time and again—through hardships like the pandemic, losing the lease on our original store in 2022, and the recent flooding—we hold onto hope. These challenges, often out of our control, have certainly impacted our finances, but they’ve also strengthened our work ethic and gratitude. We remain optimistic about what lies ahead and are determined to keep moving forward.”

Private Residence – Beacon Village, c.1948 

• The house was built in 1948 as part of a development for Beacon Mill Blanket factory workers. The homeowners note the unique character of the historic neighborhood, describing its “distinctive look and feel, with all the houses having a similar layout.”
• The house was flooded up above the gutters during the storm. The Swannanoa River rose over 26 feet and flooded a significant portion of their street. According to the homeowners, “Our house has been gutted to the studs by volunteers (and friends and family), sprayed for mold several times, and [the] subfloor has been removed. Current plans for the house is a complete rebuild, adding new electrical systems, HVAC, repairing any structural issues, adding walls, drywall and finishes.”

Private Residence – Beacon Village, c.1927 

• When asked of the building’s significance to the community, homeowners Jim and Allie Bourdy stress, “Our house is so important to our community!! This Swannanoa Street was housing for the largest blanket factory in the world and was truly the best neighborhood of people! It also has a lot of 2nd or 3rd generation homeowners that have created affordable housing options for the Asheville area.” Allie says: “my husband can talk for hours about the history of the homes that we have learned over the years. We have lived in our house for 7 years and loved sharing the history of the mill housing with everyone who came to visit!”
• Their investment in the preservation of their historic home shined through their application: “My husband and I truly love our home & our neighborhood. We had so many odes to the original space that we would still love to keep like the beadboard in the hallway, the fireplaces in every room, the extra wide hallways and hopefully real wood flooring still! We would love to share the history of these homes that were destroyed and want to also help rebuild the community- any help you could give us would be great!!”

Private Residence – Beacon Village, c.1927 

• Michael Burgin’s home in Beacon Village was built in 1926 and was originally worker housing for the Beacon Blanket Manufacturing plant. According to Michael, the house “still had many original materials including the hardwood floors from the 1920s.”
• Like many homes in his area, the house was “completely submerged by Tropical Storm Helene. We have home insurance, but we didn’t have flood insurance so we were completely denied.”

Private Residence – Beacon Village, c.1925 

• For homeowner Miah Reis, Beacon Village is tied to a long legacy of family history. “I own and live(d) at…a mill house built in 1925. [It] has been a family generational home since the 1930’s but was purchased by my great grandparents directly from Beacon Manufacturing company back in 1948. These mill houses were built by the Charles D. Owen Family, who owned Beacon Manufacturing Co, in 1925 to house their employees, after bringing their blanket manufacturing plant to Swannanoa in 1922.”
• Reis reflects: “This house holds exceptional sentimental value to me because this house not only belonged to my great grandparents, it became my grandparents’ home and it became my permanent home back in 2021. The memories abound when I think of this house and how it always felt safe when I went to visit my grandparents, throughout my life. It was the fixture of every family gathering, every crisis during winter weather where family found shelter when their homes were snowed in, every summer holiday with sleep overs, cartoons, and playing in the ‘kiddy’ pool. This house went from my safe haven when life got tough and I could get away, to my permanent home, but, as always, those feelings of nostalgia, memories and security prevailed.”
• “Hurricane Helene arrived and with her flood waters that caused destruction in the area never seen by this generation ever. No one knew the storm would be this bad, but in its aftermath, I was to discover just how badly damaged our beautiful Western North Carolina became. The water flooded the lower part of Beacon Village, flooding most every house up to the gutters, causing complete ruination of the drywall, original hardwood floors, siding, crawl space, every appliance, HVAC, every piece of antique furniture, every photo, all clothes and every sentimental memento.”

Glenn Fortune School House – Black Mountain, c.1900

• Known as the “Glenn Fortune Schoolhouse” (est. 1904 – 1934), the current homeowner says that “many of the elderly people of this area went to school here back in the old days…Some of my elderly neighbors remember going to school here and have told me interesting stories on how it was then. Where the teachers podium was [in] location to the students and their desks. I believe this structure is important to the community because it represents the history of this area and how things used to be.”
• Situated on a tributary of the Broad River, “the creek flooded higher than [it has] ever been and severely damaged the land and property. The basement got flooded and created moisture problems. Certain beams must be replaced under the structure. A section of foundation got swept down in the creek and is currently missing in the back of it. In fact, the Glenn Fortune School House is hanging right over the creek! There is no land between it and the creek. Major erosion.”

Private Residence – Kenilworth, c.1927 

• Homeowner Kidada Wynn describes the deep significance of her family home, which suffered structural and water damage from the storm: “My parents bought this home 27 years ago. They were transitioning out of the housing authority community into such a beautiful neighborhood. They broke generational curses of living in public housing to owning their own home, modeling to their family and others that home ownership is possible; even in the midst of racism, gentrification, opportunity inequities and redlining! They did it! They purchased their first home THE Kenilworth area!!”
• Wynn’s goal is “to make this home insurable and, most importantly, livable again. I long to welcome my parents back to a safe, loving environment. As one of the few families of color in this historic neighborhood, my father is determined to preserve the home he’s so proud of.”

Private Residence – Beacon Village, c.1927 

• Another Beacon Village homeowner noted the historical significance of the community, stating, “this neighborhood is almost 100 years old. It housed the workers from the Beacon Village blanket factory.” When asked if the structure was in imminent risk of failure, the applicant replied simply: “There is not much left to fail. Mold is currently a problem.”

Private Residence – Kenilworth, c.1920 

• Antanette Mosley explains the historical significance of her family home in Kenilworth, as it was “initially owned by J.M. Chiles and sits in close proximity to the Chiles House located at 21 Chiles Ave.”
• The family is taking on “repairs of structural damage as a result of a downed tree. The damaged roof led to significant internal water damage and mold. Funds will be used for mold remediation and gutting of affected walls and ceilings.”

7 All Souls Crescent – Biltmore Village, c.1895

• 7 All Souls Crescent is a contributing structure to the Biltmore Village Cottage National Register Historic District and the local historic district. Owner Sherri Snelson notes that “this building is one of the original shop houses in Biltmore Village, built in the early 1900s. It is surrounded on either side by similar structures, with Corner Kitchen and Well Bred Bakery across the street and is within one block of All Souls Crescent church.”
• Describing the flood damage, she says: “The entire ground floor was inundated with water during Hurricane Helene, with water reaching to within a few inches of the ground floor ceiling. We have completed a complete muck-out/tear-out of the ground floor and now are commencing the process of rebuilding.”

14 Lodge Street – Biltmore Village, c.1931

• Owners Matthew and Heather Wright explain that their building at 14 Lodge Street “was devastated with flooding…We have signed an agreement with [a contractor] to have the building mucked, gutted, sanitized, and dried out in preparation for a rebuild.”
• This building is a contributing structure to the Biltmore Village local historic district. Matthew says, “Heather and I are born-and-raised (2nd generation) Asheville. Everything in Biltmore Village carries a historical significance that I’m so very proud of. I pray the rebuild of the Village will maintain the uniqueness and as much authenticity as possible of the original intent.”

Private Residence – Beacon Village, c.1946 

• Beacon Village homeowners Jessica and Jefferey Fager describe the damage to their property: “Our home flooded 13 inches in the living area and our basement was completely filled. All HVAC, electric, hot water heater, floors, bottom halves of walls, kitchen cabinets, bathroom, and furniture need to be replaced.”
• When asked to share why this structure is important to the community, Jessica simply yet poignantly replied: “It is our home.” Upon receiving a preservation grant, the Fagers responded that they “are here working every single day…Thank you so much. This will help us so much. I want to sleep in my own bed in my own house so much right now. This will help us get there.”

Private Residence – Kenilworth, c.1899 

• Baxter Buchanan explains that her home “is one of the oldest residential properties, predating the neighborhood of Kenilworth. It is featured in Cabins & Castles…being built around 1910 but other documents have it as 1899. I learned from preservation Asheville blog, that this style of architecture came to the area thanks to A.J. Downing, and have ordered his books to help inform our restorations.”
• Due to severe tree damage from the storm, “on the exterior we will need to replace roof, gutters, porch floor, railing, beams, masonry stone work foundation, and exterior tongue and groove ceiling boards. On the interior we have 2 rooms with ceiling beadboard to replace and some water damaged plaster to repair. My hope is to restore using the historic appropriate materials.”

Abbington Green Inn – Montford, c.1905

• The Inn’s historic structure is contributing to the Montford Area National Register Historic District and the local historic district as the Jackson Peyton House (1909). The building was also awarded the Griffin Award by PSABC for excellence in Historic Preservation in 1994.
• Owners Dean Whiteford and Cherie Thorn are working to address damage to the house and carriage house structures: “Specifically, we are applying for help with the main house’s front porch repair. The damage is at our entrance and visible from the street…Excessive rain and wind from the storm caused water to get into the roof structure and damage the drywall ceiling below. It is recommended that the existing roofing material be removed, the affected sheathing be replaced (assumes no more than 20%), and new roofing roll and flashing be installed. The affected area of the ceiling below (approx. 30%) will be replaced with T&G pine boards, which will be primed and painted. Affected trim will also be replaced, as needed, and primed and painted.”

Andaaz – Biltmore Village, 28 Hendersonville Road, c.1925

• Andaaz’s historic building is on the National Register of Historic Places and is contributing to the local historic district. According to business owner Raj Singh: “the landlord is doing the exterior of the building and we are doing the interiors…The damage is so severe and at this juncture everything helps. Everything in the restaurant is gone so we have to build everything again which will involve restoration of the building interior and also we will obviously be paying an architect.”

YMCA Blue Ridge Assembly – Black Mountain, c. 1911-1915

• Beth Dye of the YMCA Blue Ridge Assembly staff describes how “water and debris from the mountain slammed into both Gymnasium and Eureka Hall. The Gymnasium was left barely standing with two and a half columns missing and Eureka Hall has a large hole torn into its foundation with debris and water flooding the basement. We took immediate action to stabilize both buildings so we did not lose them completely.”
• Both buildings are listed on the National Register of Historic Places. She continues that “these structures are important to the Buncombe County community both for the services and work we provide as a nonprofit and for the historical contribution to the history of Buncombe County. We were founded in 1906 with the mission to bring young people together to build relationships, exchange ideas and become great leaders in their communities. We have continued to further that mission for 118 years.”
• The Gymnasium has been stabilized but the long-term future of the building remains in question. “We have further stabilization work and structural investigation to do. Eureka has also been stabilized but will require extensive restoration and repair work.”

The Lion and the Rose – Montford, c.1907

• The Lion and the Rose is a contributing structure to the Montford Area National Register Historic District and the local historic district. Owners Karen and Steve Wilson say that this is “the first and longest running B&B in Montford.”
• To mitigate damage to the structure resulting from the storm, they will need to “remove tiles and linoleum, remove furniture and other items contaminated by water damage, remove 4′ of drywall and remove any mold. Remove the drywall from the ceiling in the guest room where water damage has occurred and remove mold. Restore the drywall and flooring once mold remediation is completed.”

2024 Grant Recipients:

FALL 2024 GRANT ROUND

Big Ivy Historical Park – Bricks & Mortar
The Big Ivy Historical Society will receive $4,900 for materials to replace the roof of the log
cabin kitchen at the Carson Cabin. The group proposes to replace the deteriorated shingles with a new roof.

Biltmore Industries Homespun Museum – Public Education
The Homespun Museum will be awarded $5,000 to support the creation of new educational panels and labels for the Homespun Museum. These panels will replace the 1984 exhibit that currently hangs. The total cost of their project will be $12,800. The Museum received a bricks & mortar grant for $5,000 in 2023.

Eblen Charities – Public Education

Eblen Charities will receive $1,000 to support the printing of their “Artists for Asheville”
coloring book, which will highlight historic architecture and other destinations in the Asheville vicinity. Proceeds for the sale of the coloring book will go to Eblen Charities.

Norwood Park Neighborhood Association – Bricks & Mortar
The NPNA will be awarded $2,000 to repoint the western masonry column at the entrance to the neighborhood on Murdock Avenue. The group was awarded $2,500 in the Spring 2024 round for the stabilization and repair of the eastern column. The NPNA consulted with PSABC staff on appropriate methods and have contracted Living Stone Masonry to complete the work on both columns.

Thomas Wolfe Memorial Advisory Committee – Public Education

The Thomas Wolfe Memorial will be awarded $3,892 to enhance the memorial’s educational outreach by purchasing necessary equipment to enable the auditorium to host hybrid in-person/zoom programming, and to update their website. The auditorium is too small to host in-person educational programs of the type they hope to host, and a new website will allow staff to update it more frequently with current events.

Thomas Wolfe Memorial Mural – Public Education
Local artist Katie Kasben was hired by the Thomas Wolfe Memorial to complete a mural on the side elevation of the visitor’s center, visible from Market Street. Kasben will receive $1,300 to pay for the materials that the site’s initial grant of $2,700 did not adequately cover.

SPRING 2024 GRANT ROUND

Public Education: Asheville: A Graphic Novel History

$2,500 for the research and development of Asheville: A Graphic Novel History.

Author Matthew K. Manning and artist Jarrett Rutland are creating a 100-page graphic novel retelling the history of Asheville. A black bear leads readers through history from prehistoric times to today, letting them see the development of the city first-hand. Through this unique method of telling Asheville’s storied history, the creators hope that it will resonate not only with longtime fans of Asheville but also with a younger audience.

From the application: While there are many good books that tell the history of Asheville, most are targeted at established history buffs or regular readers of nonfiction. Graphic novels have a distinct advantage when it comes to covering historical topics. Readers can see history unfolding before them through visual storytelling rather than having to rely on photographs or antique postcards. While graphic novels are intended to entertain every reader, this format is particularly helpful and accessible for reluctant readers. Just as newspaper cartoons of the early 1900s connected people of all educations and backgrounds, graphic novels today can be enjoyed by audiences of all ages. New readers and those with massive personal libraries have an equal chance of being drawn into the blend of art and writing that the comic format showcases. As a result, this book will tell Asheville’s complete history to a brand new audience, informing those who might find other history books daunting.

Bricks-And-Mortar: Chinese Acupuncture & Herbology Clinic

$5,000 for the repair of a historic retaining wall along the southeast side of the Chinese Acupuncture & Herbology Clinic.

The Chinese Acupuncture & Herbology Clinic is located at 369 Montford Avenue. Along the southeast and southwest edges of their historic property, there are historic low-height stone walls. These types of walls were used extensively throughout Montford to define front lawns and property lines and to accommodate significant changes in grade. The historic stone wall along the southeast side of the property is damaged and deteriorated and needs repair. We are excited to support this project that will preserve this historically important feature within Montford.

From the application: The Chinese Acupuncture & Herbology Clinic has served as a cornerstone of integrative healthcare in Asheville since it was established in 1985. Dr. Majebe was one of the founders of the large complementary and alternative medicine community of practitioners in western North Carolina. Dr. Majebe relocated the clinic to its current spacious facility at 369 Montford Avenue in 1989. Since that time there has been a revitalization of the community. Over the past 39 years, the clinic has flourished into a comprehensive family practice with five Licensed Acupuncturists. The clinic holds the distinction of being the longest-standing Chinese medicine clinic in Asheville and WNC. This historic building also houses the largest, most well-stocked Chinese herbal dispensary, solidifying its position as a leading provider of Traditional Chinese Medicine (TCM) in the Southeastern United States.

Bricks-And-Mortar: Daoist Traditions College of Chinese Medical Arts

$5,000 for the replacement of the roof at the Daoist Traditions College of Chinese Medical Arts.

Located on South French Broad Avenue, the current home of the Daoist Traditions College of Chinese Medical Arts was constructed in 1910 as a single-family house. The current roof on the building is failing. There is evidence that moisture is infiltrating the soffit and fascia. There are also multiple leaks in the interior of the building. We are happy to fund this project to save this building in this historically important neighborhood.

From the application: Daoist Traditions College, founded in 2003, is a nationally accredited acupuncture college that runs a community-oriented teaching clinic located at 222 South French Broad Avenue. Their students use the facility for their internship in the final phases of their 4-year Acupuncture and Chinese Medicine degree program. Daoist Traditions offer low-cost comprehensive treatments, making acupuncture and Chinese herbal medicine more accessible to the public. The college offers these services to everyone, a primary population being those who are medically underserved. When the college acquired 222 South French Broad, it was in an area of town that has been habitually ignored and swept aside by the city when it comes to making sound improvements for its residents. The Southside neighborhood is a historically Black neighborhood and was once the city’s premier Black business district. In the 1960s and 1970s, the area was heavily impacted by urban renewal. Daoist Traditions heavily resonate with the neighborhood motto of ‘Know our Past, Grow our Future’ and is committed to serving its surrounding residents for years to come.

Bricks-And-Mortar: Norwood Park Neighborhood Association

$2,500 for repairs to the eastern masonry column at the entrance to Norwood Park on Murdock Avenue.

In 1914/1915, Norwood Park was developed as a neighborhood for middle-class families. As part of the original neighborhood plan, two entrance columns were planned for the entrance to the neighborhood at the corner of Murdock Avenue and Norwood Avenue. The eastern column was hit by a car in 2000, and over the last 24 years, minor repairs have been made to the column, but it needs more extensive repairs and full cleaning. We are excited to be a part of helping preserve this historically important feature.

From the application: With 155 contributing structures, Norwood Park is an intact representation of a classic, early suburban neighborhood. The district’s architecture and layout represent the city’s housing boom during the first three decades of the twentieth century, along with some additional buildings constructed during the late 1930s through the 1950s. At the intersection of Norwood and Murdock Avenues, across from Weaver Park, are two original columns designating the entrance to the 26-acre Norwood Park subdivision. The word “Norwood” is prominently imprinted onto two sides of the cement cap of each column.

Bricks-And-Mortar: South Asheville Cemetery

$4,375 for installing dirt to stabilize settling burials and unstable headstones at the South Asheville Cemetery.

The South Ashville Cemetery is the oldest public African American cemetery in western North Carolina. Between 2,000 and 3,000 African Americans were buried in the two-acre site from the mid-1800s until the early 1940s, but there are only 93 headstones with names, dates, and inscriptions. Other graves were marked with fieldstones or handmade crosses, making proper care of the ground extremely important. Many of the grave markers require some degree of conservation or restoration, including several of the markers that are settling, leaning, or have fallen over. Before the grave markers can be restored, the graves need additional soil to fill depressions and stabilize the headstones. We are happy to help with the ongoing preservation of this historically important site.

From the application: The cemetery began as a burial ground for enslaved people on property owned by William Wallace McDowell. Its first known caretaker was George Avery, who was enslaved by William McDowell. After the Civil War, Avery continued to oversee burials in the cemetery until his death in 1938. Eventually, the cemetery opened to the public, and anyone, regardless of church affiliation, could bury their loved ones in the cemetery for a nominal fee. While several men from the community dug the graves for the families of the deceased, the families themselves were responsible for maintaining the graves. The South Asheville Cemetery fell into disrepair during the mid-twentieth century, but in the 1980s, members of the St. John “A” Baptist Church community – most notably George Gibson and George Taylor – began restoration efforts on the property. They enlisted the help of the community and, with a small group of dedicated volunteers, formed the South Asheville Cemetery Association (SACA). The Association’s mission is to preserve the South Asheville Cemetery so that it may become a model of remembrance, education, and community engagement for the cemetery and to honor the lives of the individuals buried on this site.

Public Education: West Asheville Museum

$1,322.50 for an education exhibit panel, a rail reader, at the West Asheville Museum.

The West Asheville Museum was founded in 2017 by Conda Painter to preserve and cultivate a deeper appreciation of the rich heritage and cultural legacy of West Asheville. A prominent window display on Haywood Road showcases early artifacts and historical information spanning the period from 1916 to 1980. We are excited to fund a new educational exhibit panel, a rail reader, within the storefront window of the small museum. The plan for the rail is to feature the history of West Asheville on one half, with the other half dedicated to the history of Wilson’s Chapel.

From the application: On July 2, 2023, Conda Painter’s lifelong history project garnered recognition in various newspapers, notably headlining the front page of the Asheville Citizen-Times. This project centered on her discovery of the lost 1883 African American Methodist Episcopal church and cemetery, known as Wilson’s Chapel. This achievement marked the culmination of decades of research, representing a collaborative effort between herself and her late father. Conda dedicated a lifetime to piecing together the neighborhood’s lost history.

Wilson’s Chapel, historically located at the corner of Haywood Road and Virginia Avenue, has been a significant landmark since 1883. The chapel was demolished and relocated to Burton Street in 1925, with a dated brick now displayed on the current building. The building is currently utilized by the Asheville Community Baptist Church, serving as a focal point for the African American congregation. The original Wilson Chapel Methodist congregation officially ceased operations in 1998, merging with the French Broad Methodist Church.

2023 Grant Recipients:

$5,000 for Heating System and Duct Cleaning at Church of the Incarnation

The Church of the Incarnation in Black Mountain is a one story, gothic revival church with a granite foundation and clad in wood shingles. The church was originally constructed as the St. James Episcopal Church. In 1908, four lots were purchased for $400 to build the church. Additional funds were raised, and the cornerstone of the building was laid on July 25, 1912. The church was consecrated on September 23, 1917. The St. James Episcopal Church congregation moved out of the building in 1994 into a larger church. Sixteen of the original stained glass windows in the church were moved to their new building, but several remain in the building. The current congregation moved into the building sometime before 2007. There are currently less than 30 members in the congregation.

The building needs several repairs to allow it to continue to be used by the congregation, including foundation repairs and installation of gutters to stop water from infiltrating the basement, installation of a new heating system and duct cleaning, installation of a sump pump to help remove water from the basement, and removal and repair was water damaged walls in the basement. We are excited to support this project to prevent permanent damage to the building and allow the building to stay in use.

$5,000 for HVAC system replacement at Shiloh African Methodist Episcopal Zion Church

Shiloh African Methodist Episcopal Zion Church is a historically important church. The existing heating, ventilation, and air-conditioning (HVAC) system in the church is 28 years old and has failed twice this year. While HVAC systems are not typically considered preservation projects, the failure of the heating system in winter could potentially lead to significant damage to the historic fabric. We are excited to support this project that will allow the building to remain open and serve its congregation and community for several years to come.

From the application: Shiloh African Methodist Episcopal Zion Church is one of the oldest A.M.E. Zion churches continually serving a predominately African American congregation in the Asheville area. The earliest reference to the church is recorded in an 1871 deed referring to the sale of one acre of land to the trustees of the church. In 1889, the congregation sold the church and church property to the agent for the Biltmore Estate for $1000. This sale allowed the congregation to move a church building and their historic cemetery to their current locations. The building that was moved served the congregation until 1928 when they erected a new brick church (the current building) on the 1889 site.

$5,000 for the replacement of the roof at Bascom Lamar Lunsford Homestead

Bascom Lamar Lunsford was a musician, folklorist, and musical festival organizer, which included the Mountain Dance and Folk Festival. Lunsford worked in many different professions over the years. As a salesman, he traveled through the mountains, where he developed his vast repertoire of traditional songs and tunes.

His historic 1938 home is located in Leicester. Its current roof is over 30 years old and is badly deteriorated and leaking. We are happy to fund this project to save this building for future generations.

From the application: It is the old homestead of Bascom Lamar Lunsford – “Minstrel of the Appalachians” and future home of The Pondering Bascom Performing Arts & Education Center. We are a grassroots nonprofit organization dedicated to the preservation, promotion and continued education in traditional Appalachian performing arts, cultural arts, regional history and sustainable lifestyle practices.

$4,100 for the research, fabrication, and installation of an interpretive history panel in the Congregation Beth HaTephila section of Riverside Cemetery

The history of Asheville’s Jewish community has long been ignored. Sharon Fahrer is working to document the history of the Jewish community and their contributions to the culture of Asheville. As part of this ongoing project, Fahrer plans to research the history of the Congregation Beth HaTephila section of Riverside Cemetery and Jewish burial rituals. This research will be turned into an interpretive history panel to share this important history with visitors to the cemetery. We are pleased about the installation of the interpretation panel.

From the application: Visitors from outside the South often are surprised there are Jewish communities in the Southeast and are especially surprised to find them in the Appalachian Mountains. Riverside Cemetery, a Victorian rural garden cemetery, offers a look at the final resting place of people who shaped Asheville. This project will expand awareness and understanding of the history of Asheville’s Jewish community. It will explain the purpose, some burial rituals, and the story of how the cemetery belonging to the Congregation Beth HaTephila (CBHT) was located within Riverside Cemetery. CBHT is the only religious institution that has a cemetery within Riverside. Recognition of the existence of a Jewish community in Asheville was long ignored.

$5,000 for gutter replacement at St. Matthias Episcopal Church

St. Matthias has been developing a comprehensive drainage and grading plan to help preserve the historic church building. As they move forward with planning a larger, comprehensive project, installing new gutters and downspouts on the building will help stop water intrusion. We are excited to continue to support this phase of their project and are thrilled about their continued efforts to save this significant historic landmark.

From the application: St. Matthias was listed on the National Register of Historic Places in 1979. It is believed to be the oldest Black congregation in Asheville, established initially as a Freedman’s Church in 1867. It was the location of the first school for Blacks in Asheville, beginning in 1872, and as far as we know was the only school for Blacks in the city until the first public school opened in 1885. The current church was built in 1892-94 by formerly enslaved master brick mason and congregant James Vester Miller, who went on to build the Asheville Municipal Building and other prominent public structures in the city. His descendants are active in the church today.

$5,000 for installing a new entrance gate at Violet Hill Cemetery

Violet Hill Cemetery is significantly important as the primary burial place for African Americans, beginning in 1932 because of segregation. Last year, the existing gate at the main entrance broke, which caused the cemetery to suffer the theft of maintenance equipment. We are happy to fund a new, lockable gate, which will prevent further vandalism and allow for this historic site’s continued maintenance and protection.

From the application: Violet Hill Cemetery was established by Dr. L.O. Miller in 1932 to provide the underserved Black community with an affordable, decent facility to bury their loved ones during segregation, when options were limited. At the time, Riverside Cemetery had only a very small section reserved for Black burials, and the South Asheville Cemetery was filling up, so Violet Hill filled an important need.

Today Violet Hill Cemetery holds over 5,000 graves that include a “Who’s Who” of individuals who contributed to the betterment of our Black and Brown communities. Some are recognized as the first Blacks to hold positions of significance in their respective professions or career. Our graves include such notables as James Vester Miller, E.W. Pearson, Clifford Cotton, Dr Lee (of Stephens Lee High School), Mr. and Mrs. McQueen, Ernest Willis Gatewood (a pro basketball player), and many other community activists and Black leaders.

$5,000 for the maintenance, repair, and upgrade of the Biltmore Industries Homespun Museum

Biltmore Industries is important to the history of Asheville, and its Homespun Museum is a gem. The museum is in need of basic maintenance, which includes interior painting, electrical upgrades, and installation of climate control systems. These projects will allow the museum to (1) improve the conservation and preservation of its collection; (2) improve visitor experience and education; (3) improve accessibility and safety for visitors; and (4) increase visibility to create more revenue for the museum. We are excited to be a part of helping preserve this historically significant place.

From the application: Biltmore Industries was listed on the National Register of Historic Places in 1980. We are historically connected to The Cathedral of All Souls, the Biltmore Estate and the Grove Park Inn. These are important connections that we do our best to maintain and educate visitors about. Beyond that, we represent a span of textile history that encompasses 18th and 19th century technology that was still in use in the 20th century. Because Biltmore Industries utilized ancient and modern techniques and was in operation from early 1900 to early 1980, there is so much history wrapped up in the inner workings. From dye chemical technology improvements, workplace law and safety changes, continuing production during the two World Wars, and converting from steam power to DC and then AC power – our museum is a treasure trove of information.

$5000 for gutter replacement at St. Matthias Episcopal Church

St. Matthias has been working to develop a comprehensive drainage and grading project which is needed to preserve the church buildings.  We are excited to support this phase of their extremely well-researched and strategized stabilization of this significant historic landmark.

$5,000 to thoroughly update, rebuild, and refresh the Basilica Preservation Fund website

This contribution is relatively modest in light of the much larger fundraising effort happening to preserve this important landmark, however, we hope that it will be instrumental in facilitating their much larger goal.  We are pleased to support the Basilica Preservation Fund in this way!

$5000 for plaster repair and painting of water-damaged walls at Berry Temple Church

Berry Temple is now home to the City as Classroom: The Berry Temple Community and STEAM Academy.  The sanctuary is now used as a community auditorium and also hosts My Daddy Taught Me That students.  PSABC is happy to support this adaptive reuse of an important historic church.

2022 Grant Recipients:

$5000 to Hopkins Chapel A.M.E. Zion Church

This funding is for a National Register of Historic Places nomination and a building assessment. In addition to being built by noted brick mason, James Vester Miller, and designed by architect Richard Sharp Smith, this church has an incredible history which you can read at hopkinschapelamezion.org.

$1500 matching grant to the Norwood Park Neighborhood Association

The Norwood Park neighborhood is home to one of our City’s secret sidewalks.  The 100 plus year old walkway spans more than 300 feet connecting the residents of Norwood Park to the goods and services of Merrimon Avenue. This grant will fund the research and documentation of the history of this walkway in hopes of ensuring its preservation in the neighborhood for another 100 years.

$2500 for Asheville: A Graphic Novel History

Author Matthew K. Manning and artist Jarrett Rutland are creating this 100-page graphic novel retelling of Asheville’s storied history in hopes that it will resonate not just with longtime fans of our city, but also with a younger audience.  The story will lead the reader through history from prehistoric times to today, letting them see the city form first-hand.

$4000 to the Stumptown Neighborhood Association

This grant will fund video interviews for story gathering and sharing in order to celebrate, honor and preserve the rich history of this neighborhood.

From the application: Stumptown was a vibrant, closely knit Black neighborhood located “in the hollow under the brow of the hill” between what is now Riverside Cemetery, Pearson Drive, and Courtland Avenue. It had active churches, stores, and community cohesion. Black residents today still call their neighborhood Stumptown, though urban renewal and gentrification have thoroughly eroded what was a once a thriving Black community.

Research shows that Stumptown is older than the adjacent Montford neighborhood – it developed around a piece of property on Pearson Drive given to Tempie Avery by her former enslaver Nicholas Woodfin in 1868. As Black history is not as present in written historical records, we do not have an exact date of the establishment of Stumptown, though most accounts place its inception around 1880.

The Stumptown neighborhood was redlined in the late 1930s, but remained a strong community through the 1960s, despite systemic neglect which made the area vulnerable to displacement. The majority of homes and lots in the neighborhood were taken by the City of Asheville during urban renewal in the 1970s for the Montford Recreation Complex. With the naming of the complex after Montford and the subsequent gentrification of the area, the story of Stumptown has been mostly hidden.

There has been some documentation of stories from Stumptown residents, but it is not easily accessible to the general public. While the early history of the neighborhood was acknowledged by the renaming of the community center to the Tempie Avery Center, there is no signage acknowledging the existence of the Stumptown neighborhood or the contributions of its residents.

The Stumptown Neighborhood Association wants to address this erasure and build awareness of this history and culture through story gathering/sharing and signage.

$2000 to Black Mountain College Museum + Arts Center

This grant is for the installation of protective barriers to protect the recently completed conservation of two frescos painted in the summer of 1944 by luminary of the Mexican Mural Renaissance, Jean Charlot.

$5000 to La Esperanza Real Estate Cooperative

This funding will support the extensive repairs and upgrades needed at 528 Emma Road.

From the application: The La Esperanza (“The Hope” in English) building, which was built in 1914, is located in the center of the Emma community. According to Andrea Clarke via her family oral histories, it was constructed by the renowned Black mason James Vester Miller and his crew.

La Esperanza is cooperatively owned by over 30 families in the community, many of whom also invested significant time and labor to fix up the building after it was purchased. Thanks to PODER Emma’s community development efforts which made this possible, these community members, including Latinx immigrants, who might not otherwise have access to owning real estate are able to build community wealth through La Esperanza.

The building houses Colaborativa La Milpa, a collective of Latinx-led grassroots groups working to uplift and protect the community. The members of the collective are Compañeros Inmigrantes de las Montañas en Acción (CIMA), Raíces Emma – Erwin, PODER Emma, and Ma hñäkihu: Indigenous Language Preservation Project.

La Esperanza also houses worker-owned cooperatives Power in Number Bookkeeping, Cenzontle Language Justice Cooperative, Quetzal Community Real Estate, and Chispas.

Serving as a community hub, community members visit La Esperanza to access supportive services provided by La Milpa’s organizations and the co-ops. A large community room on the first floor of La Esperanza is used for youth programs, classes, meetings, and events.

$5000 awarded to Douglas Ellington House

On the personal estate of the renowned architect, Douglas Ellington, this grant will fund repairs to the historic tool shed. The tool shed was built with logs and stones from the estate. Without this necessary interference, the tool shed is in danger of complete collapse.

$2500 awarded to “We Built This: Profiles of Black Architects and Builders in North Carolina”

This exhibit was put together by Preservation North Carolina, bringing much needed attention to the legacy of Black craftsmen throughout the state. The PSABC grant helps fund the rental fee and transportation costs to host the exhibit in our community. One local builder included in the exhibit is James Vester Miller who was involved with many projects throughout his lifetime, including the YMI (pictured below).

2021 Grant Recipients:

$3000 to Priscilla Robinson for her continued work to document and tell the stories of Urban Renewal in the Southside neighborhood of Asheville. 

“Life, community, and home as many Asheville Black community members once knew it is no longer present.  This project will allow one to see through our eyes, walk in our shoes, and hear diverse voices speak our truth in hope of others receiving an understanding of why many are compelled to preserve the history of Asheville’s Black community.” – Priscilla Robinson

This project will focus on 3 main areas: Walton Street Park and Pool, Urban Renewal  (acquisition of Urban Renewal property and reparations) and the Livingston Street School

Livingston Street School – Photo courtesy of Buncombe County Special Collections

$4000 to Grace Memorial Episcopal Church towards roof replacement and parapet repairs.

Designed by Richard Sharp Smith, the supervising architect for the Biltmore House, Grace Memorial Episcopal Church has been in service since 1905 and stands as an excellent example of Gothic architecture.  This grant will help reach a goal of approximately $350,000 in rehabilitation costs.

Of the church, Dale Slusser writes, “My favorite (of Smith’s churches) is the charming stone of Grace Episcopal Church on N. Merrimon Avenue. Smith’s British heritage shows in his design for Grace Church.  With its cross-transept plan and small castellated tower entrance, it would feel just as comfortable sitting in any small rural village in England.”

Photo courtesy of Buncombe County Special Collections

$5000 to the St. James AME Church towards roof replacement.

Parishioners are currently unable to worship at the church due to deterioration of the facility, caused in part by water intrusion.  This grant will help reach a goal of $48,000 to replace the roof and is part of a large $570,000 fundraising goal to complete a larger rehabilitation effort.

Notably, St. James AME Church is one of a number of important Asheville structures credited to James Vester Miller, a prominent Black contractor in Western North Carolina.

From the application:

“During the 1960s and 1970s the East Riverside Community, which includes the East End Valley Street neighborhood, was selected as the site for one the Southeast’s largest urban renewal projects. The federal government’s urban renewal project, which was led by the East End Valley Street Community Improvement Committee, focused on relocating a significant number of businesses and residents from the area to make way for redevelopment of single family homes and apartments. The East End Valley Street neighborhood had been a traditionally historic African American neighborhood with African American owned businesses.

In addition to the neighborhood residents enduring the impacts of urban renewal, the East End Valley Street neighborhood experienced further devastation due to the development of the Interstate expansion of highway 240, which included the creation of a road through Beaucatcher Mountain. The development of the road required the removal of “300 million cubic yards of crushed granite,” months of explosive detonations, and thousands of trucks traveling in and around the East End Valley Street neighborhood for years.

One of the institutions that remained intact during those periods of extreme change and transition was the St. James AME Church. The church became a beacon of hope for the community. The community sought solace at the St. James AME Church. The church hosted community meetings and events.”

Photo courtesy of St. James AME Church

$550 for owners of the Gatehouse for consulting services.

Built in early 1898 by the Raoul family, the Gatehouse, known then as the Lodge, is the oldest structure in Albemarle Park.  In need of numerous repairs, this grant will support efforts to establish this as an historic tax credit rehabilitation project.  Utilizing tax credits available through the State Historic Preservation Office can be an important tool in rehabilitation projects.

Photo courtesy of Buncombe County Special Collections

2020 Grant Recipients:

Thomas Chapel A.M.E. Zion Church, Black Mountain – $1800 for grading and site work for erosion control

From the application:
Centered in the heart of one of two known areas of town that have historically been associated with the African American population in Black Mountain, this church served for many years as the literal heart of the community.  This building, the third Thomas Chapel building likely located on this same site, was built in 1922, following the original log church built by freed slaves, and a second church which was built sometime between 1892 and 1922.  The original Thomas Chapel A.M.E. Zion Church was the first church built for the African American community in Black Mountain, serving as the mother church for later A.M.E. Zion churches and other denominations that were built in later years.  This church building continues this legacy, where, from 1922 until 1974, when a new church sanctuary was built on another lot nearby, the chapel served not only as a place of spiritual importance but as a place where families gathered for social events, weddings, singing conventions, funerals, and picnics since there were no other gathering places available for the black community.  Through its time as the focus of the community, the church hosted many speakers of all races, and in 1927 was selected as the host church for the A.M.E. Zion denomination’s annual church conference, hosting twenty-four churches in the Blue Ridge District. Small in size, but gigantic in its rich history, Thomas Chapel A.M.E. Zion Church is a property that only gains in significance in these times of change and movement towards continued racial equity.

River Front Development Group’s STEAM Academy – $5000 for equipment and staffing

From the application:
The STEAM Academy’s Portable Digital Photography Lab will be an opportunity for students, interns and residents to explore the people, places and events that should be recognized in the Stephens-Lee African American Heritage Museum.  Participants will be tasked with creating digital and story-board presentations of the past and current community assets.  By combining photography, research and art the goal is for students and adults to gain an understanding of the importance and need for preserving historic assets.  Themes will include business and commerce, religious life, education, sports and social life in the community.

James Vester Miller Historic Trail – $1500 for website development

From the application:
James Vester Miller, an African American master brickmason and entrepreneur, built many of Asheville’s most remarkable buildings in the late 19^th and early 20^th centuries as well as numerous homes in the Emma community and elsewhere in the Asheville area. The James Vester Miller Historic Trail will be a tour commemorating his work. It will include nine buildings and will reference others beyond the easily accessible walking radius of the trail.

The James Vester Miller Historic Trail and its related projects will educate natives and tourists alike about the important role that one African American Asheville native played in creating Asheville’s architectural footprint.  James Vester Miller’s personal story reflects in microcosm the story of relations between the races in Asheville from the late 19^th century through the early 20^th century. Moreover, the relative lack of public recognition of his role in creating these remarkable historic buildings typifies white Asheville’s general failure to acknowledge the role of the African American community and of specific African American leaders in building what Asheville is today.

Western North Carolina Historical Association – $5000 for traveling and virtual exhibit

From the application:
The not-yet-titled exhibition will focus primarily on the South Asheville Cemetery, a historically African-American cemetery in Asheville, which was founded on land owned by the Smith family in the early 1800s as a burial ground for people they enslaved. The cemetery property was eventually deeded by Sarah Smith McDowell and her husband to representatives of the cemetery. It is now maintained by the South Asheville Cemetery Association, who are partners on this project.

While research for the exhibition will seek to uncover individual stories of people who are (or may be – there are only 93 headstones for nearly 2,000 graves and scant burial records) buried in the South Asheville Cemetery, the overall purpose of the exhibition will be focused on African-American burial grounds in the larger Asheville area and how county, state, and federal policies have passively and activity contributed to the deterioration of these sacred places in a way that has not equally impacted the final resting places of whites. The exhibition will be designed around primary documentation and the voices and input of African American community partners, particularly those with a family connection to the cemetery.

Well into the 1950s nearly all American cemeteries had some version of racial restrictions. Clarence B. Jones, in an op-ed for the Washington Post, wrote, “The neglect of historic African American cemeteries is as widespread as it is unknown. Throughout the 19th century and much of the 20th, African Americans were segregated even in death, often buried in off-the-beaten-path Black cemeteries that, over the years, received little funding and fell into disrepair.”

Examples from the South Asheville Cemetery will illustrate how systemic racism has caused such neglect, disrepair, and – even – desecration of Black cemeteries resulting in the loss of African American history and culture.

For instance, George Avery, a blacksmith who had once been enslaved by the McDowell family, became caretaker of the cemetery after emancipation. Historians often lament that Avery tracked the burials by memory and did not leave written records, so – when he passed away in 1938 – much of the knowledge of who was buried in the cemetery – and where they were buried – was lost.

There is much more to the story, however, than Avery not leaving written records. Avery was enslaved until he was almost 20 years old. He was not allowed to attend school. North Carolina law prohibited teaching enslaved people to read or write. So, by digging deeper, and understanding more of the history of systemic racism, we can better answer the question – “Why don’t we know who is buried at the South Asheville Cemetery?” with more than the surface answer of “Well, George Avery didn’t leave any written records.”

We can begin to understand why he might not have left written records by looking at written records. Documents available through the Buncombe County Register of Deeds show that Avery signed his name with an “X” throughout his life. It then becomes likely that there are no written records because laws written by white officials did not allow enslaved people to learn to read or write – and shows that black families are still feeling the repercussions of laws written and abolished over 150 years ago.

Likely, however, there is even more to the story. Placing grave markers would have been the responsibility of the family. Many families, however, could not afford markers – and based on oral history – many could not even afford the $1 fee due to the McDowell family to dig the grave. Graves were then marked with wooden crosses, field stones, or topography that constantly changed and did not indicate the name of the deceased. Understanding why graves were left unmarked means understanding why an African American family might not have the money to place a grave marker.

It also means, however, better understanding African American funerary traditions and how and why they originated. In a 2016 article in The Atlantic, Tiffany Stanley wrote, “Particularly in the 17th and 18th centuries, if slaves were allowed to bury their own dead and craft their own rituals, away from the overseeing eyes of whites, they could plan for their freedom, spiritually and physically.”

The South Asheville Cemetery was closed to new burials in 1943 because the City of Asheville annexed the area and burials were not allowed in the city limits. (More research is needed to better understand the motivations behind this annexation; however, at some point the cemetery was the location of a proposed condominium project.) As time passed and the cemetery became overgrown, aging descendants could no longer navigate the terrain and many of the graves were forgotten. We hope that with this exhibition we can help remember some of those interred within the cemetery and increase community participation in its continued upkeep.

The exhibition will also seek to document stories from other African-American burial grounds in Asheville and Buncombe County, including (segregated) Riverside Cemetery, various church and family cemeteries, and the unmarked graves of incarcerated railroad laborers, who were buried near the tracks and tunnels they died constructing.

Shiloh African Methodist Episcopal Zion Church and Cemetery – $4600 for a National Register of Historic Places nomination

From the application:
Shiloh African Methodist Episcopal Zion church has been in existence since 1874 and there is evidence that it was active as early as 1871. Shiloh was an African American settlement populated after the Civil War by African American freedmen on a small parcel near what is now known as the Cedarcliff Gate on the Biltmore Estate. That former community is referred to as “Old Shilo”.

The church was most likely built of logs. Church history states that the founders raised $7.00 to purchase the original lot and establish the church.  In 1888 when George Vanderbilt’s agent Charles McNamee was buying the land for the estate he approached Rev. William Logan, a member of the Shiloh community. Mr. McNamee offered the congregation of the Shiloh AME Zion Church $1000 to move their congregation, church and cemetery across the Asheville- Buncombe Highway to a two acre lot.  Unfortunately, the original Shiloh AME Zion Church burned to the ground before it could be moved.  The congregation obtained an unused Presbyterian Church for the move. The graves were dug up and re-interred at the new location and New Shiloh was born.

After the move, the church was used not only as a place of worship but also as a community center and as a school for the children of Shiloh. Laborers on the Biltmore Estate whose children went to the school were encouraged to set aside a portion of their salary to help pay for a teacher. 

 In 1923 the Trustees of the Shiloh AME Zion Church took on a mortgage to build a new church. By 1928 the church was built and the debt was paid. This is the church that exists today.

Western North Carolina Historical Association – $4150 to research, design, print and install a new permanent exhibit in the Smith-McDowell House.

                                                                        Photo credit: NC Room, Pack Memorial Library

From the application:
Our new permanent exhibit will seek to present a more balanced and holistic picture of what life was like pre- and post-Civil War for all people who resided on the property. Staff will design new interpretive panels that will take visitors on a journey through time beginning with early white settlement and removal of native populations, which will be viewed prior to entering any of the period rooms.

The tour will then continue into the basement of the house – home to the winter kitchen. Here, visitors will view one interpretive panel which gives a broad overview of slavery in the mountains before entering the kitchen and “meeting” a woman – Tilda – who, along with her husband and children, was enslaved by the Smith family.

The tour will continue to the second floor, where visitors will encounter other residents of the home – including James McConnell and Polly Patton Smith, Sarah Smith McDowell (the daughter of James and Polly, who owned the house in the 1860s and 1870s), William Wallace McDowell (Sarah’s husband), George Avery (enslaved by the McDowells), and Mary Francis Garratt (an immigrant, whose father purchased the house to bring his daughter, who was suffering from TB, to the mountains).

High Top Colony Neighborhood Association – $2800 for a National Register of Historic Places nomination

From the application:
High Top Colony in Black Mountain, North Carolina was founded in 1919 by Roy John, a secretary with the YMCA, and associated with the neighboring Blue Ridge Assembly of the YMCA (founded in 1912 and placed on the National Register of Historic Places in 1979), the district includes a grouping of primarily 1919 to early 1920s Rustic Revival cottages.  The cottages were built for use as summer homes for those attending conferences at the Blue Ridge Assembly, but through the years have become a mixture of year-round residences and summer cottages. 

A few of the cottages were built after this initial development time, from 1939 – 1940, in the Bungalow style, and there are also a few modern additions into the neighborhood of cottages built in the 1960s and 1970s, with one as late as the 1990s.  The district is significant for its association with the YMCA and the Blue Ridge Assembly, because of the importance of the religious retreat movement within the mountains of western North Carolina in the early part of the twentieth century and for the architectural significance of the Rustic Revival and Bungalow styles of the cottages.  Additionally, further research of the association of Dr. Willis Duke Weatherford, founder of the Blue Ridge Assembly, and his connection to the High Top Colony will be important pieces of history to be included in the nomination.

2019 Grant Recipients:

Hood Huggers International – New Bus

Hood Tours offer bus tours of Asheville’s African American neighborhoods and landmarks.  The mix of the history and community with place is the perfect fit for our grant program.  In their words, “Hood Tours tells the long-overlooked stories of African Americans in Asheville. We showcase history, art, greenspaces, and current-day grassroots initiatives. We’ve given tours to numerous school groups, university students, and church groups.”

PSABC is pleased to fund $5000 towards the purchase of a new bus for Hood Huggers International which will allow them to offer more tours.

SoundSpace LLC – Rabbit’s Motel

Built in 1948, Rabbit’s Tourist Court was a premier African American motel of its time.  After sitting vacant for more than a decade, the family who owned Rabbit’s for five generations was all that stood between this iconic place and almost certain demolition.  Multiple offers to purchase the property were ignored before Claude Coleman Jr. and Brett Spivey shared their vision for a music rehearsal space, soul food kitchen and cultural landmark called SoundSpace @ Rabbit’s.

As Coleman points out, “Rabbit’s Tourist Court has been a part of the African-American community for more than 60 years.  It is intrinsically connected to the story of Asheville. These connections must not only be preserved, but recreated and strengthened.”

PSABC is excited to contribute $5000 in funding towards Phase 1 of this project.  These funds will be put towards efforts to stabilize and water proof the foundation at Rabbit’s.

Montford Neighborhood Association – Bus shelter and history panel

Last May one of two newly installed Montford bus shelters with history panels was destroyed by a suspected drunk driver.  The driver was never caught and it was left to the neighborhood association to figure out how to pay for a new installation.

When PSABC received the grant application in early 2019, we were inspired by the dedication shown by the individuals and businesses in Montford who had worked to raise nearly all of the funds needed to replace the bus shelter.  The damaged history panel told the story of “Lost” Montford homes and Montford’s African American community – making it the perfect fit for an education preservation grant.  PSABC is honored to fund the $2000 funding gap for this bus shelter to the Montford Neighborhood Association.

Swannanoa Valley Museum & History Center – Pathways from the Past permanent exhibit

Founded in 1989, the Swannanoa Valley Museum & History Center is the primary museum of general, local history in Buncombe County.  PSABC is proud to provide $1000 of funding towards new exhibit panels for their permanent exhibition, Pathways from the Past, which highlights the settlement and development of eastern Buncombe County.  Their efforts to make the project inclusive was important to our decision to fund this project.  Executive Director Anne Chesky Smith explains, “Text from the panels will seek to equitably represent the stories of all those who have shaped the Swannanoa Valley, not just those whose voices tend to be loudest in our history.”

Calvary Presbyterian Church – $5000

Calvary Presbyterian Church was founded in 1891 and originally located on Eagle Street.  Founder, Dr. Charles Bradford Dusenbury, was also a founder of the Young Men’s Institute (YMI) and he and his wife, Mrs. Lula Dusenbury, started a school in the basement of the church that served African American children and adults.

In 1926 the church moved to its current location in the heart of the East End neighborhood.  Still active today, the church has an open and diverse congregation and offers a wide range of services to the community.

This grant will help the church meet funding needs to upgrade the plumbing.

In this age of rampant gentrification – irreplaceable loss of truths, loss of community, history and heritage, loss of life-giving culture, it is imperative that Calvary, and other churches and institutions begun by African Americans continue to stand and thrive. -Pastor, Rev. Patricia Bacon

South Asheville Cemetery Association – $5000

The South Asheville Cemetery began as a burial ground for enslaved people and is the oldest public cemetery for African Americans in Western North Carolina.  The first known caretaker was a man named George Avery.  Enslaved, Mr. Avery was owned by William Wallace McDowell, of the Smith-McDowell house, who entrusted him as the manager of the cemetery located on the family property.

Though it is thought to be the final resting place for 2000 African Americans, there are only 93 headstones with name and date information.  Other graves were marked with field stones or handmade crosses making proper care of the grounds extremely important.

Led by members of the St. John A Baptist Church community, volunteers have worked for decades to maintain the cemetery, but overgrown vegetation is not the only threat.  Tucked away in the neighborhood of Kenilworth, this two acre plot is threatened by development on all sides.

This grant will allow for the South Asheville Cemetery Association to complete a nomination for the National Register of Historic Places.  Receiving this recognition will be instrumental in building public awareness of the cemetery and will be leveraged to seek additional funding to preserve, restore and enhance the cemetery and education efforts associated with it.